Thursday, May 14, 2020

Four Styles of Roman Wall Painting and Mosaics Essay...

nbsp;nbsp;nbsp;nbsp;nbsp;A. Mau, a German scholar, established four distinct styles of Roman wall painting at the sites of Pompeii, Herculaneum, Boscoreal, and other smaller sites covered with ash from the volcanic eruption at Mount Vesuvius. The styles begin with one direction, shift completely, and end on a more combined technique. nbsp;nbsp;nbsp;nbsp;nbsp;Style I, known as incrustation, began approximately during the second century b.c. This style features the strong influence of the Hellenistic Greek period in its surface decoration. At the Samnite House at Herculaneum, walls are painted as faux marble slabs. This is very typical of the influence of Hellenistic Greece. There is a three fold division of a Roman wall during†¦show more content†¦Unlike previous styles, the focus now is on elaboration and detail. Walls are divided into small panels with support framed paintings. Because paintings are now individual, there is greater ease at decorating and rooms can now be reworked much quicker and with greater ease. Oecus, at Pompeii, c. 63-79 AD is an example of this style. There is a panel depicting Hercules fighting off snakes in a gallery style room. Much of the work from this time reflects these ancient Hellenistic themes from mythology. nbsp;nbsp;nbsp;nbsp;nbsp;After the earthquake of AD 62, Pompeiian homes were rebuilt and redecorated in what is called Style IV by Mau. This style focuses on intricacies, and as in previous styles, more and more elaborate scenes continue to be created at this point. The detail of Achilles and Chiron from the basilica at Herculanuem, a fresco from the first century AD, truly feels the way style IV was meant to: true rich detail, the perfection of the craft. An accurate depiction of their world was created in home across the region. There is a strong sense of how light plays off objects. 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